2
3
5

Présence Primitive

Guillaume Talbi

2026.04.25 – 2026.06.07

Tokyo

 

Présence Primitive

Shun Art Gallery Tokyo is pleased to present “Présence Primitive”, a solo exhibition by emerging French artist Guillaume Talbi, on view from April 25 (Sat) to June 7 (Sun), 2026.

This exhibition marks the artist’s first solo presentation in Japan and features a body of works centered on a return to human instinct and primordial sensibilities.

Drawing on motifs of animals that have existed since ancient times, Talbi creates works using primal materials such as clay and pigments. These pieces are brought to life through his free and intuitive creative process.

Blending primal sensibility with contemporary expression, the exhibition quietly evokes memories of nature and life that we tend to forget in our daily routines.

As you trace these reawakened memories, we invite you to experience and enjoy these works that seem to have “flying from the ancient past.”

 

About the artist

图片 1

Guillaume Talbi

 

« Sculpture and drawing have always been, for me, a space for dialogue. To represent is to invent forms and give them a body within space, creating a kind of conversation with the viewer. The more freely I can play with materials and expressions, the more alive and present the work becomes, like a home, open to anyone who looks. »

 

Born in 1987 in Châteauroux, France, Guillaume Talbi lives and works between Paris and China. He graduated from the École Nationale Supérieure des Beaux-Arts in Paris and collaborates with Alain Gutharc Gallery (Paris) and Carte Blanche Gallery (Beijing, Hangzhou). 

 

His work has been exhibited in solo and group shows in France and internationally, including: Le LaM, Villeneuve-d’Ascq (Museum of Modern Art, Contemporary Art, and Outsider Art, 2016); Drawing Now Art Fair, Paris (Contemporary Drawing Salon, 2016, 2025); Yishu 8 – House of Arts, Beijing (2018); Eleven Steens Art Center, Brussels (2019); Chapelle de la Visitation, Thonon-les-Bains (2020); Musée Guimet and Hôtel Particulier Heidelbach, Paris (2022); Nouvel Institut Franco-Chinois, Lyon (2024); and Shun Art Gallery, Tokyo (2026).

 

As both a draftsman, painter, and sculptor, the artist develops a body of work where color and material hold a central place. His artistic approach is rooted in the idea of a place. 

The works he creates take the form of anthropomorphic, animal, and plant-like shapes,

materializing through the medium to form a hybrid world. He breathes life into them through the gestures of his hands, favoring a direct connection with materials such as clay, plaster, cement, resin, wax, wood, stone, metal, paper, and others. By constantly experimenting with materials, he allows himself to be surprised by their poetic and enigmatic qualities. He works in an empirical manner, using his own processes of creation and construction logic, in which the passage of time remains visible. The material retains the imprint of the fingers, naturally giving rise to works that embody an experience of time—an experience made tangible by the hand.

 

View more